S6 E7: Elizabeth Vignali Chats with Dion O’Reilly

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Bellingham poet Elizabeth Vignali buzzes in to read from her newest book and also to read and discuss ⁠Dorianne Laux⁠⁠‘s poem ⁠”Facts about the Moon. ⁠

Elizabeth Vignali is the author of the poetry collection ⁠House of the Silverfish⁠ (Unsolicited Press 2021) and three chapbooks, the most recent of which is ⁠Endangered [Animal⁠] (Floating Bridge Press 2019). Her work has appeared in Willow Springs, Cincinnati Review, Poetry Northwest, Mid-American Review, Tinderbox, The Literary Review, and others. She lives in the Pacific Northwest, where she works as an optician, produces the Bellingham Kitchen Session reading series, and serves as poetry editor of ⁠Sweet Tree Review.

S6: E4 Carla Sameth Chats with Geneffa Jahan

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“I Am a Woman of Almost 62 Years Old / of no special bravery.”

With this poem, ⁠Carla Rachel Sameth⁠ begins her hour on The Hive Poetry Show, reading from her first full-length collection, ⁠Secondary Inspections⁠, released in January 2024, as well as newer poems. For a voice both introspective and self-aware, Sameth’s writing pours itself into the people around her–her biracial Black son, a mother succumbing to dementia, siblings, lovers, and her wife going through the process of transitioning into her husband.

As Eduardo C. Corral notes about Carla’s work, “Blossoming and decay are the twin forces in these powerful poems. Addiction, death, raising a child blessed with more than one story, and queerness are the threads woven throughout the book, but they also vibrate with their own particular music.” Particular, yes, but always leaning into the shared experience, several of these poems, such as “Love Letter to a Burning World,” and “June 2020,” decipher the intersecting perplexities of the pandemic, the intensification of racial unrest, and the fires–literal and figurative–that raged around us during that season. Sameth’s gaze shrinks from none of the distress but does not linger in the emotions, arresting us instead with a captivating image or wry undertone. She says of her family, “We used to argue over the hearts and gizzards; now no one wants those parts.” 

“Secondary Inspections invites us to take a second look at what we thought we knew and shows us how things are not always what they seem—identity can be questioned, provoke danger, and leave us impacted by how others see us; the bedrock of a family can be forever shifting and we too shift along with it. Through powerful narrative and vivid imagery, Sameth’s poetry travels, searches, stumbles, and ultimately, returns. Even amidst heart-staggering moments, she reveals a rich cultural life that is both within, and that is further made possible by deeply being in the places you love with the people you love” (⁠carlasameth.com⁠). 

Carla Rachel Sameth is the co-poet laureate of Altadena (2022-2024) and a Poet Laureate Fellow with the Academy of American Poets. Her chapbook, What Is Left was published in December 2021 with Dancing Girl Press. Her memoir, One Day on the Gold Line was reissued by Golden Foothills Press in December 2022. Her work has been selected three times as Notable Essays of the Year in Best American Essays. A Pushcart and Best of the Net nominee. a Pasadena Rose Poet, a West Hollywood Pride Poet, and a former PEN Teaching Artist, Carla has taught creative writing to high school and university students, incarcerated youth and other diverse communities.

Listen to Carla read her poems and talk candidly with Geneffa about the experiences that informed them–a conversation relatable to those who are mothers or have otherwise had to learn to embrace while letting go.

Secondary Inspections is now available for ⁠order⁠.  

S6: E6 Alexandra Lytton Regalado & Farnaz Fatemi

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“This weirdness swims up…” ⁠Alexandra Regalado⁠ talks to Farnaz Fatemi about teeth as relics, finding inspiration in visual artists, attempting to say the unsaid, writing things in poems that might never get said aloud–and more serious and not-so-serious preoccupations. Our conversation focuses on Regalado’s second book, the National Poetry Series publication Relinquenda, from Beacon Press

Alexandra Lytton Regalado is a Salvadoran-American author, editor, and translator. She is the author of Relinquenda, winner of the National Poetry Series (Beacon Press, 2022); the chapbook Piedra (La Chifurnia, 2022); and the poetry collection, ⁠Matria⁠, the winner of the St. Lawrence Book Award (Black Lawrence Press, 2017). Alexandra holds fellowships at CantoMundo and Letras Latinas; she is winner of the Coniston Prize, and her work has appeared in The Best American Poetry, poets.org, World Literature Today, Narrative, and The Poetry Foundation’s Harriet blog, among others. Her translations of contemporary Latin American poetry appear in Poetry International, FENCE, and Tupelo Quarterly and she is translator of Family or Oblivion by Elena Salamanca. She is co-founding editor of Kalina, a press that showcases bilingual, Central American-themed books and she is assistant editor at SWWIM Every Day an online daily poetry journal for women-identifying poets.

S6: E3 Katie Farris chats with Julie Murphy

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The first poem in Katie Farris‘ new book of poems, Standing in the Forest of Being Alive, ends with the stanza Why write love poetry in a burning world?/ To train myself, in the midst of a burning world/ to offer poems of love to a burning world. This poem, an arrow that sails though each poem in the collection, begins Farris’ unflinching look at the details of her own cancer treatment and marriage in the midst of social and political unrest.  The poems, intimate and immediate, tackle difficult subjects yet they’re full of tenderness and humor. Join host Julie Murphy as she chats with Katie Farris about the poems, poetry and about her journey To train myself to find, in the midst of hell/ what isn’t hell.

Katie Farris’s most recent book, Standing in the Forest of Being Alive, from Alice James Books (US) and Liverpool University Press (UK), was shortlisted for the 2023 TS Eliot Prize and was listed as Publisher’s Weekly’s Top 10 Poetry Books for 2023. She’s also the author of the hybrid-form text boysgirls (Marick Press, 2011; Tupelo Press 2019), and the co-translator of many works, including A Country in Which Everyone’s Name is Fear, which was one of World Literature Today’s Notable Books of 2022. She’s a Pushcart Prize winner. She graduated with an MFA from Brown University, and is currently Visiting Associate Professor of Poetry at Princeton University.

S6 E2: Sarah Levine Speaks with Julia Chiapella

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Love in all its blissful, blistering forms provides the foundation for lyrical poet Sarah Levine’s new book, Each Knuckle with Sugar. A Massachusettes poet, the conversation runs from love to craft to loss. These surprising poems are made more memorable by the way Levine has skillfully built a world to hold them. You can find Levine’s book at Driftwood Press: ⁠https://www.driftwoodpress.com/product-page/each-knuckle-with-sugar⁠

You can read her poem, “Forgotten Things,” in the Paris American here: ⁠https://www.theparisamerican.com/sarah-levine-poetry.html

S5 E41: Andrea Hollander and Emily Ransdell Chat with Dion

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Andrea Hollander⁠, author of ⁠six poetry books⁠, moved to Portland, Oregon, in 2011, after living for more than three decades in the Arkansas Ozarks, where she was innkeeper of a bed & breakfast for fifteen years and Writer-in-Residence at Lyon College for twenty-two. Hollander’s newly released sixth full-length collection is ⁠And Now, Nowhere But Here (Terrapin Books, 2023)⁠. Her fifth, Blue Mistaken for Sky, was a finalist for the Best Book Award in Poetry from the American Book Fest; her fourth, Landscape with Female Figure: New & Selected Poems, 1982- 2012, was a finalist for the Oregon Book Award; her first, House Without a Dreamer, won the Nicholas Roerich Poetry Prize and was recently reissued, along with The Other Life, Hollander’s second full-length collection, by Red Hen Press in its Story Line Legacy series. Her poems and essays appear widely in anthologies, college textbooks, and literary journals, including a recent feature in The New York Times Magazine. Other honors include two Pushcart Prizes (in poetry and literary nonfiction), two fellowships in poetry from the National Endowment for the Arts, and the 2021 49th Parallel Award in Poetry. After teaching for two literary centers in Portland for six years, in 2017 she initiated the Ambassador Writing Seminars, which she conducted in her home until the pandemic, and now via Zoom.

⁠Emily Ransdell⁠‘s debut collection, ⁠One Finch Singing⁠, was awarded the 2022 Lewis Award and was published in 2023 by Concrete Wolf Press. She holds an MFA in Poetry from Pacific University. Emily divides her time between Camas Washington and Manazaita Oregon, where she teaches poetry workshops through the Hoffman Center for the Arts.  

S5 E40: Roxi Power talks about her new book with Dion O’Reilly

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Dion O’Reilly chats with Roxi Power about her new book, ⁠The Songs that Objects Would Sing,⁠ diving deep into a work that that “is aflame, both with the literal wildfires ravaging the American West and with the slower smolder of personal grief.  Power’s response to loss and disaster is a quirky plangent song…shot through with humor and underpinned by a rippling ostinato of lyric power” (Mark Scroggins). 

With ease and humor, Dion and Roxi draw on postmodern and Buddhist theories, debating whether the presences that sing within the objects of Power’s lines are “essences.”  “I feel you in the glint of objects sometimes.  That’s all I know.” The white “ghost piano” on the book’s cover, painted by her sister Sky Power, summons her mother’s musical influence within the titular elegiacal poem. Power conjures and “unpaints” the psycho-geography of Texas and Wyoming, filled with the “ghost-scratchings” of memory that, like de Kooning’s paintings, peak through to the surface of the “cinematic fictions she sews from scratch.” She bends time in poems such as “The Aftermath of Future” where “Now is just one fold in the snake skin of time.” 

Dion and Roxi discuss Power’s trans-genre work and why she has been drawn to recombinant forms since her MFA work at Cornell University that include music, visual art, and film. Power has taught for 25 years at the University of California, Santa Cruz where she founded and edits the trans-genre anthology, ⁠Viz. Inter-Arts⁠. Her next book is forthcoming from Carbonation Press in 2024.

Power organizes national “Trans-Genre Cabarets,” and her own trans-genre work includes Live Film Narration (Neo-Benshi) performances of original scripts across the country, including the Tennessee Williams Festival, the New Orleans Poetry Festival, REDCAT, and St. Mark’s Poetry Project.  Her next Neo-Benshi performance is Feb. 22 at Satori in Santa Cruz.  

Power organizes events and makes podcasts for ⁠The Hive Poetry Collective.⁠  Her ⁠most recent podcast is with Brenda Hillman.⁠

Farnaz Fatemi writes: “With both musical and emotional intelligence, not to mention a linguistic virtuosity, Power conjures hope amid her sonic discoveries—while still bearing lucid witness to personal and community grief.”

C.S. Giscombe writes, “The first line of Roxi Power’s incredible burst of poems lays down the law with one hand and sets things in motion with another—that is, she writes as if to remark on the coming noise made by fire, death, love…The many motions of this music, of these songs that objects would sing, will brush the reader with a difficult and worthy and joy.

You can order her book ⁠here.⁠

S5: E39 Poets of Palestinian Heritage, Hosted by Julia Chiapella & Farnaz Fatemi

Listen here as Farnaz Fatemi and Julia Chiapella read poems by Palestinian poets and those of Palestinian heritage to amplify and bear witness to the range of their perspectives and the richness of these voices. We found the reading of these aloud to each other to be profoundly moving. Please see the extensive show notes for links to the poets, their books, many more we couldn’t include on the show and other recent resources.

In this order–⁠Fadwa Tuqan⁠, ⁠Lena Khalaf Tuffaha⁠, ⁠Zeina Azzam⁠, ⁠Mahmoud Darwish⁠, ⁠Mosab Abu Toha⁠, ⁠Maya Abu Al-Hayyat⁠, ⁠Noor Hindi⁠, ⁠Naomi Shihab Nye⁠ were featured on the show. 

We mentioned the following anthologies during this hour: ⁠We Call to the Eye & the Night: Love Poems by Writers of Arab Heritage⁠ (Zeina Hashem Beck and Hala Alyan, editors); & ⁠Modern Arabic Poetry⁠ (Salma Khadra Jayyusi, editor). 

Since recording our episode a week ago, the Palestinian academic and poet ⁠⁠Refaat Alareer⁠⁠ was killed in Gaza; we want to bring attention to the ⁠⁠story of this poem, his last⁠⁠. 

We additionally want to highlight the work of ⁠Deema K Shehabi⁠, ⁠George Abraham,⁠ ⁠Nathalie Khankan⁠, and ⁠Fady Joudah⁠ (also see Joudah’s recent “⁠meditation⁠”), among many, many others. For one additional resource about poets, see the Instagram account, The Palestinian Poetry Project, ⁠poetrypalestine⁠.

The LA Review of Books recently published a ⁠small folio of writing⁠ from poets of Palestinian heritage.

We recommend ⁠Palestinian Poets on the Role of Literature in Fighting Genocide⁠.

Vox Populi published a “ceasefire cento” solicited from poets globally. You can read it ⁠here⁠.

S5: E38 Robin Gow talks with Farnaz Fatemi

Listen here in as Robin Gow and Farnaz Fatemi discuss Robin’s book Lanternfly, their experience writing a hyper-focused collection, the value of persona poems, defiance, cross-species empathy and more. 

⁠Robin Gow⁠ is a trans poet and YA/Middle Grade author from rural Pennsylvania. They are the author of several poetry collections including, most recently, ⁠Lanternfly August⁠, from Driftwood Press, & Our Lady of Perpetual Degeneracy. Gow also writes queer YA/Middle Grade novels such as Ode to My First Car, A Million Quiet Revolutions, and Dear Mothman. He manages community programs at Bradbury-Sullivan LGBT Community Center, building celebratory spaces for the local LGBTQ+ folks. As an autistic person, Robin feels passionate about celebrating neurodivergent folks in the queer community. They live in Allentown, Pennsylvania, with their partner, best friend, and pugs, Gertrude and Eddie. 

S5:E37 Jeannine Hall Gailey talks with Dion O’Reilly

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Dion O’Reilly and Pacific Northwest poet, ⁠⁠Jeannine Hall Gailey,⁠⁠ talk about science, science fiction, and poetry. Jeannine reads from her new book ⁠⁠Flare Corona. ⁠⁠

Jeannine Hall Gailey served as the second Poet Laureate of Redmond, Washington. She is the author of six books of poetry:  Flare, Corona, from BOA Editions. ⁠Becoming the Villainess⁠⁠, ⁠⁠She Returns to the Floating World⁠⁠, which was a finalist for the 2012 Eric Hoffer Montaigne Medal and a winner of a Florida Publishers Association Presidential Award for Poetry, ⁠⁠Unexplained Fevers⁠⁠, ⁠⁠The Robot Scientist’s Daughter,⁠⁠ and winner of the Moon City Press Book Prize and SFPA’s Elgin Award, ⁠⁠Field Guide to the End of the World⁠⁠. She’s also the author of ⁠⁠PR for Poets: A Guidebook to Publicity and Marketing.⁠⁠ She has a B.S. in Biology and an M.A. in English from the University of Cincinnati, as well as an M.F.A. in Creative Writing from Pacific University. Her poems have been featured on NPR’s The Writer’s Almanac and on Verse Daily; two were included in The Year’s Best Fantasy and Horror. In 2007 she received a Washington State Artist Trust GAP Grant and in 2007 and 2011 a ⁠⁠Dorothy Sargent Rosenberg Poetry Prize. ⁠⁠